Showing posts with label flamenco. Show all posts
Showing posts with label flamenco. Show all posts

Wednesday, October 18, 2017

Trying a new angle

 

Rain and cool weather more typical of October blew me to the Complutense and into the Residencia de Estudiantes today


After heading to the Complutense in the morning for a really fascinating talk by the early modernist Luce López Baralt about the literatura aljamiada of the sixteenth century, I went to the Residencia de Estudiantes to follow up on the Gustavo Durán Martínez character I discovered earlier.

Briefly, so that the topic of Luce López Baralt's talk makes sense, because it was super interesting, aljamiada is the name given to work written by Spanish Muslims in a Romance language -- usually Castilian but also sometimes Portuguese or Valencià -- using Arabic characters.  It comes from an Arabic word meaning "foreign" or "not-Arabic."  There was quite a bit of this written in sixteenth century Spain, and it persisted up until the final expulsion of the moriscos in 1609.  Most of it was lost then, when people walled it up behind false partitions or buried it or similar because (don't I know it!) books are heavy and hard to carry when you're relocating, and there was the hope that you could come back for them soon.  Every so often another cache is found when an old wall falls down.  (I remember seeing an exhibit of books found in walls nearby at the Biblioteca Nacional, I think at the four hundredth anniversary of the expulsion.  Time flies.)  Professor López Baralt explained that the aljamiado texts have been relatively little studied because the first people to look at it recognized the writing as Arabic, and took it to Arabic speakers who read it phonetically and said "this is gibberish."  (Or rather, given a couple of funny 19th C quotes she used, "this must be some kind of North African dialect.  Or maybe Turkish.  Or maybe even from Iran, though it's hard to see how it got all the way to Spain.")  Spanish speakers can read sixteenth century Spanish pretty easily (more easily than English speakers read Shakespeare, even), so they would have recognized it, except that it wasn't transliterated, so they didn't know.  It wasn't until there were Spaniards who studied Arabic and looked at the manuscript that the nickel dropped.


Friday, October 13, 2017

National Holiday

What started as a quiet working at home day turned into much more...

I knew that October 12 was the Día de la Hispanidad in Spain (formerly, in the Franco years, the Día de la Raza) and it became clear over the course of this week that it was a rather larger holiday than I had imagined, or than its equivalent Columbus Day in the US.  One of my fellow Fulbrighters told me that a professor she was working with had told her that the disgusting display of air power that I assumed was the central government flexing its muscles the week before last was not courtesy of Catalunya but rather a practice for the parade today, and my Madrid friends said that they thought it was unusual tact on the part of the central government to not include tanks in the parade this year.  (Seriously, tanks?  In a holiday parade?  WTF, Spain?  I suppose it's better than giving them to their local police departments the way the US does, but it still strikes me as weird.)  The afternoon TV news over the last couple of days has covered "operación salida" for what is for many people a four day weekend here (schools are off Friday as well), complete with notices about the extra holiday trains, planes, and buses starting Wednesday evening, and interviews with extremely happy members of the hotel industry, who are practically salivating since the prolonged summer temperatures that are probably a herald of global doom also mean that the hotels on the beach in Cádiz and Alicante are at near 100% occupancy this year, while everyone takes advantage of the equivalent of Labor Day six weeks later, for a last long beach weekend.  There were also shocked and disapproving notices about how businesses and (even more scandalously) ayuntamientos in Catalunya were showing defiance by refusing to close today.  Since I find closed businesses annoying, and since everyone here is super aware of the way this holiday is tied to the dictatorship anyway (the war planes and tanks are kind of an obvious clue), my sympathies are with the Catalans on this one.  (Mind you "closed" here is a relative concept.  Schools and government buildings are.  To my surprise my local and much beloved Mercadona was tightly shuttered, but the Dia Maxi supermarket by my friends in Aluche was open.  Small family owned businesses run by Spaniards were shut, but run by immigrants were open.  Restaurants were open as a matter of course.  So it's complicated.)

In any case, archives were definitely closed, so I planned to spend the day writing, and possibly cleaning up a little.  That plan changed fairly early in the day, when my Aluche friends called and invited me to have lunch, and then go to a flamenco concert with them in the evening "if we can get tickets."

Sunday, October 1, 2017

"Véte a la milonga, muchacha..."

Yes, for my tango peeps, I have finally gone out dancing for the first time.



This afternoon I checked out a milonga which the organizers sweetly described as "por la mañana" even though it runs from noon to 15:00 (I do love this culture).  I had found it on the internet, and recognized the location as being right along my side of the river, in the Plaza San Pol.  That meant it was all downhill or flat going, and mostly flat with only one serious hill coming back, and also that it was pretty far from the nearest metro, so it was an obvious bike milonga.

Twenty minutes picking my way through the Parque San Isidro and down past the Tanatorio to the river, and another twenty rolling of necessity slowly along the banks of the Manzanares among the hordes of people strolling, biking, skate-boarding, scooting, etc. through the warm summery sunshine brought me to the "Sala Cha3" a ballroom located in the basement of a theater that seems dedicated to putting on fairy tales for children.  (The side of the building is painted with larger than life Disney characters, and the flyers above the box office advertise A Christmas Carol, The Wizard of Oz, and similar.)  I locked my bike by the trash containers, and headed in the side door and down a red carpeted staircase to the "Sala Cha3."  (I was there one evening to dance years ago, but I don't think I've ever heard it pronounced, so I don't know if it's pronounced "Cha Tres" or "Cha al Cubo" (Cha cubed) or "Cha Cha Cha."  I'm assuming the logo Cha3 is to suggest the latter.)

Thursday, September 21, 2017

Flamenco in Carabanchel

As natural as salsa in New York

Compases beneath my window call to mind a flamenco lament for the tropics.

Popular culture is such a monetized and controlled thing now (and perhaps always, just in different ways).  We're used to thinking of things like music as being the result of careful advertising, or as propaganda, clichés designed to appeal to tourists, to some mythical "national" identity, or to some kind of brand loyalty.  (Vodafone has an ad playing non-stop across all TV channels here which smoothly slides from a background track of Peggy Lee's song "You Give Me Fever" to handsome young men at their computers humming along to them singing enthusiastically, "Ya tengo fibra...FIBRA!" and dancing in their enthusiasm at having "fibra" aka FiOS internet access.  It's a shame that the nickname for Fiber-optic in Spanish sounds like an abbreviation of fibromyalgia.)

So it's always a bit of a surprise to discover confirmations of things that you normally dismiss as mere tropes.  (Rather like Bart Simpson staring at his dog and saying "you ate my homework?  I didn't know you guys actually did that!")  I had a bit of that surreal experience yesterday afternoon when I woke somewhat groggily from a siesta, and heard what I gradually realized was someone singing cante jondo underneath my open window.  After a few wails of "Por cuuulpaaa de una mujjjjjeeeer" interspersed not with tacones or guitar solos but rather with what sounded like a slightly noisy high school hallway, involving a bunch of boys giving each other relationship advice (at the top of their lungs, because most boys yell as much as they talk) I bothered to get up and look out the window, where I saw a handful of what looked to be late teenagers, wearing sagging jeans, and respectively shirtless or in sleeveless tank tops, with the odd backwards baseball cap.  (The shirtless one was also wearing a crucifix.)  In between warbling like cats searching for mates and carrying on a discussion, they were attempting (not very successfully) to do some acrobatics involving balancing in a split on the bricks of the portico of the apartment across the street.  They weren't able to do it, either because they lacked the strength and skill, or because their high-top sneakers were too slippery, so after a while they drifted away, still chatting and occasionally singing.